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We have much to gain from the understanding of learning principles that have been presented here, and of the various ways of understanding what intelligence is. Some aspects of language learning may call upon a conditioning process; other aspects require a meaningful cognitive process; others depend upon the security of supportive co-learners interacting freely and willingly with one another; still others are related to one's total intellectual structure. Each aspect is important, but there is no consistent amalgamation of theory that works for every context of second language learning. Each teacher has to adopt a somewhat intuitive process of discerning the best synthesis of theory for an enlightened analysis of the particular context at hand. That intuition will be nurtured by an integrated understanding of the appropriateness and of the strengths and weaknesses of each theory of learning.
The age of audiolingualism, with its emphasis on surface forms and on the rote practice of scientifically produced patterns, began to wane when the Chomskyan revolution in linguistics turned linguists and language teachers toward the "deep structure" of language and when psychologists began to recognize the fundamentally affective and interpersonal nature of all learning. The decade of the 1970s was a chaotic but exceedingly fruitful era during which second language research not only came into its own but also began to inspire innovative methods for language teaching. As we increasingly recognized the importance of both cognitive and affective factors in second language learning, certain teaching methods came into vogue.
These methods attempted to capitalize on the perceived importance of psychological factors in language learners' success. At the same time they were touted as "innovative" and "revolutionary," especially when compared to Audiolingual or Grammar Translation methodology. Claims for their success, originating from their proprietary founders and proponents, were often overstated in the interest of attracting teachers to weekend workshops and seminars, to new books and tapes and videos, and, of course, to getting their learners to reach the zenith of their potential. These claims, often overstated and overgeneralized, led David Nunan (1989: 97) to refer to the methods of the day as "designer" methods: promises of success, one size fits all!
Despite the overly
strong claims that were made for such methods, they were an important
part of our language teaching history, and they gave us some insights
about language learning that still enlighten our teaching practices.
What follows is a brief summary of five of the most popular of the "designer"
methods.
Community Language
Learning
In his "Counseling-Learning" model of education, Charles Curran (1972) was inspired by Carl Rogers's view of education in which students and teacher join together to facilitate learning in a context of valuing and prizing each individual in the group. In such a surrounding, each person lowers the defenses that prevent open, interpersonal communication. The anxiety caused by the educational context is lessened by means of the supportive community. The teacher's presence is not perceived as a threat, nor is it the teacher's purpose to impose limits and boundaries; rather, as a "counselor," the teacher's role is to center his or her attention on the clients (the students) and their needs.
Curran's model of education was extended to language learning contexts in the form of Community Language Learning (CLL) (LaForge 1971). While particular adaptations of CLL are numerous, the basic methodology was explicit. The group of clients (learners), having first established in their native language an interpersonal relationship and trust, are seated in a circle with the counselor (teacher) on the outside of the circle. The students may be complete beginners in the foreign language. When one of them wishes to say something to the group or to an individual, he or she says it in the native language (say, English) and the counselor translates the utterance back to the learner in the second language (say, Japanese). The learner then repeats that Japanese sentence as accurately as possible. Another client responds, in English; the utterance is translated by the counselor; the client repeats it; and the conversation continues. If possible the conversation is taped for later listening, and at the end of each session the learners together inductively attempt to glean information about the new language. If desirable, the counselor may take a more directive role and provide some explanation of certain linguistic rules or items.
As the learners gain more and more familiarity with the foreign language, more and more direct communication can take place, with the counselor providing less and less direct translation and information, until after many sessions, even months or years later, the learner achieves fluency in the spoken language. The learner has at that point become independent.
There are advantages and disadvantages to a method like CLL. CLL is an attempt to put Carl Rogers's philosophy into action and to overcome some of the threatening affective factors in second language learning. But there are some practical and theoretical problems with CLL. The counselor-teacher can become too nondirective. While some intense inductive struggle is a necessary component of second language learning, the initial grueling days and weeks of floundering in ignorance in CLL could be alleviated by more directed, deductive learning: by being told. Perhaps only later, when the learner has moved to more independence, is an inductive strategy really successful. And, of course, the success of CLL depends largely on the translation expertise of the counselor. Translation is an intricate and complex process that is often easier said than done; if subtle aspects of language are mistranslated, there could be a less than effective understanding of the target language.
Despite its weaknesses,
CLL offers certain insights to teachers. We are reminded to lower learners'
anxiety, to create as much of a supportive group in our classrooms as
possible, to allow students to initiate language, and to point learners
toward autonomous learning in preparation for the day when they no longer
have the teacher to guide them.
Suggestopedia
Suggestopedia was another educational innovation that promised great results if we would simply use our brain power. According to Lozanov (1979), people are capable of learning much more than they give themselves credit for. Drawing on insights from Soviet psychological research on extrasensory perception and from yoga, Lozanov created a method for learning that capitalized on relaxed states of mind for maximum retention of material. Music was central to his method. Baroque music, with its 60 beats per minute and its specific rhythm, created the kind of "relaxed concentration" that led to "superlearning" (Ostrander & Schroeder 1979: 65). According to Lozanov, during the soft playing of Baroque music, one can take in tremendous quantities of material due to an increase in alpha brain waves and a decrease in blood pressure and pulse rate.
In applications of Suggestopedia to foreign language learning, Lozanov and his followers experimented with the presentation of vocabulary, readings, dialogs, role-plays, drama, and a variety of other typical classroom activities. Some of the classroom methodology did not have any particular uniqueness. The difference was that a significant proportion of activity was carried on with classical music in the background, and with students sitting in soft, comfortable seats in relaxed states of consciousness. Students were encouraged to be as "childlike" as possible, yielding all authority to the teacher and sometimes assuming the roles (and names) of native speakers of the foreign language. Students thus became "suggestible."
Suggestopedia
was criticized on a number of fronts. Scovel (1979) showed quite eloquently
that Lozanov's experimental data, in which he reported astounding results
with Suggestopedia, were highly questionable. Moreover, the practicality
of using Suggestopedia was an issue that teachers faced where music
and comfortable chairs were not available. More serious was the issue
of the place of memorization in language learning. On a more positive
note, we can adapt certain aspects of Suggestopedia in our communicative
classrooms without "buying into" the whole method. A relaxed
and unanxious mind, achieved through music and/or any other means, will
often help a learner to build confidence. Role playing, drama, and other
activities may be very helpful techniques to stimulate meaningful interaction
in the classroom. And perhaps we should never underestimate the "superlearning"
powers of the human brain.
The Silent Way
Like Suggestopedia, the
Silent Way rested on more cognitive than affective arguments for its
theoretical sustenance. While Caleb Gattegno, its founder, was said
to be interested in a "humanistic" approach (Chamot &
McKeon 1984: 2) to education, much of the Silent Way was characterized
by a problem-solving approach to learning. Richards and Rodgers (1986:
99) summarized the theory of learning behind the Silent Way:
The Silent Way capitalized on discovery-learning procedures. Gattegno (1972) believed that learners should develop independence, autonomy, and responsibility. At the same time, learners in a classroom must cooperate with each other in the process of solving language problems. The teacher—a stimulator but not a hand-holder—is silent much of the time, thus the name of the method. Teachers must resist their instinct to spell everything out in black and white—to come to the aid of students at the slightest downfall-and must "get out of the way" while students work out solutions.
In a language classroom the Silent Way typically utilized as materials a set of Cuisinere rods—small colored rods of varying lengths—and a series of colorful wall charts. The rods were used to introduce vocabulary (colors, numbers, adjectives [long, short, and so on], verbs [give, take, pick up, drop]), and syntax (tense, comparatives, pluralization, word order, and the like). The teacher provided single-word stimuli, or short phrases and sentences once or twice, and then the students refined their understanding and pronunciation among themselves, with minimal corrective feedback from the teacher. The charts introduced pronunciation models and grammatical paradigms.
Like Suggestopedia, the Silent Way had its share of criticism. In one sense, the Silent Way was too harsh a method, and the teacher too distant, to encourage a communicative atmosphere. A number of aspects of language can indeed be "told" to students to their benefit; they need not, as in CLL as well, struggle for hours or days with a concept that could be easily clarified by the teacher's direct guidance. The rods and charts wore thin after a few lessons, and other materials had to be introduced, at which point the Silent Way resembled any other language classroom.
There
are, of course, insights to be derived. All too often we are tempted
as teachers to provide everything for our students, served up on a silver
platter. We could benefit from injecting healthy doses of discovery
learning into our classroom activities and from providing less teacher
talk so that the students can work things out on their own. These are
some of the contributions of innovation. They expose us to new thoughts
that we can—through our developing theoretical rationale for language
teaching—sift through, weigh, and adapt to multiple contexts.
Total Physical Response
The founder of the Total Physical Response (TPR), James Asher (1977), noted that children, in learning their first language, appear to do a lot of listening before they speak, and that their listening is accompanied by physical responses (reaching, grabbing, moving, looking, and so forth). He also gave some attention to right-brain learning. According to Asher, motor activity is a right-brain function that should precede left-brain language processing. Asher was also convinced that language classes were often the locus of too much anxiety and wished to devise a method that was as stress-free as possible, where learners would not feel overly self-conscious and defensive. The TPR classroom, then, was one in which students did a great deal of listening and acting. The teacher was very directive in orchestrating a performance: "The instructor is the director of a stage play in which the students are the actors" (Asher 1977: 43).
A typical TPR class utilized the imperative mood, even at more advanced proficiency levels. Commands were an easy way to get learners to move about and to loosen up: "Open the window," "Close the door," "Stand up," "Sit down," "Pick up the book," "Give it to John," and so on. No verbal response was necessary. More complex syntax was incorporated into the imperative: "Draw a rectangle on the chalkboard." "Walk quickly to the door and hit it." Humor was easy to introduce: "Walk slowly to the window and jump." "Put your toothbrush in your book" (Asher 1977: 55). Interrogates were also easily dealt with: "Where is the book?" "Who is John?" (students point to the book or to John). Eventually students, one by one, presumably felt comfortable enough to venture verbal responses to questions, then to ask questions themselves, and the process continued.
Like
other methods discussed here, TPR—as a method—had its limitations.
It was especially effective in the beginning levels of language proficiency,
but lost its distinctiveness as learners advanced in their competence.
But today TPR is used more as a type of classroom activity, which is
a more useful way to view it. Many successful communicative, interactive
classrooms utilize TPR activities to provide both auditory input and
physical activity.
The Natural Approach
Stephen Krashen's (1982) theories of second language acquisition have been widely discussed and hotly debated since the 1970s. (Chapter 10 will offer further details on Krashen's influence on second language acquisition theory.) The major methodological offshoot of Krashen's work was manifested in the Natural Approach, developed by one of Krashen's colleagues, Tracy Terrell (Krashen & Terrell 1983). Acting on many of the claims that Asher made forTPR, Krashen and Terrell felt that learners would benefit from delaying production until speech "emerges," that learners should be as relaxed as possible in the classroom, and that a great deal of communication and "acquisition" should take place, as opposed to analysis. In fact, the Natural Approach advocated the use of TPR activities at the beginning level of language learning, when "comprehensible input" is essential for triggering the acquisition of language.
The Natural Approach was aimed at the goal of basic interpersonal communication skills, that is, everyday language situations-conversations, shopping, listening to the radio, and the like. The initial task of the teacher was to provide comprehensible input-spoken language that is understandable to the learner—or just a little beyond the learner's level. Learners did not need to say anything during this "silent period" until they felt ready to do so. The teacher was the source of the learners' input and the creator of an interesting and stimulating variety of classroom activities—commands, games, skits, and small-group work.
The most controversial aspects of the Natural Approach were its "silent period" and its reliance on the notion of "comprehensible input." One could argue, with Gibbons (1985), that the delay of oral production can be pushed too far and that at an early stage it is important for the teacher to step in and encourage students to talk. And determining just what we mean by "comprehensible" is exceedingly difficult (see Chapter 10 for further comments). Language learning is an interactive process, and therefore an over-reliance on the role of input at the expense of the stimulation of output could thwart the second language acquisition process.
But, of course, we also can look at the Natural Approach and be reminded that sometimes we insist that students speak much too soon, thereby raising anxiety and lessening the possibility of further risk-taking as the learner tries to progress. And so, once again, your responsibility as a teacher is to choose the best of what others have experimented with, and to adapt those insights to your own situation. There is a good deal of insight to be gained, and intuition to be developed, from examining the merits of all of these five "designer" methods. Those insights and intuitions can become a part of your own cautious, enlightened eclecticism.
[Note: (I) individual work; (G) group or pair work; (C) whole-class discussion.]
3. (Q Tease apart the distinction between elicited and emitted responses. Can you specify some operants that are emitted by the learner in a foreign language class? And some responses that are elicited? Specify some of the reinforcers that are present in language classes. How effective are certain reinforcers?
Lightbown, Patsy and Spada, Nina. 1993- How Languages Are Learnei
Oxford: Oxford University Press.
Mitchell, Rosamond and Myers, Florence. 1998. Second Language Learning Theories. New York: Oxford University Press.
These two introductory SLA textbooks, written in language thai is comprehensible to first-level graduate students, provide useful summaries of theories of learning.
Skehan, Peter. 1998. Л Cognitive Approach to Language Learning. Oxford. Oxford University Press.
Peter Skehan is one of the current champions of continued research on foreign language aptitude. Chapters 8 and 9 of his book cap-sulize the state of the art on this topic.
Armstrong, Thomas. 1994. Multiple Intelligences in the Classroom. Philadelphia: Association for Curriculum Development.
The author provides a practical summary of Howard Gardners theory of multiple intelligences combined with a remarkably comprehensive set of pedagogical applications.
[Note: See pages 18 and 19 of Chapter 1 for general guidelines for writing a journal on a previous or concurrent language learning experience.]