Culture of great britain

CONTENTS

1. Artistic and cultural life in Britain.
2. Inigo Jones and Christopher Wren.
3. Westminster Abbey.
4. St. Paul’s Cathedral.
5. The Tower of London.
6. Festivals of music and drama.
7. The Bath Festival.
8. The Chichester Theatre Festival.
9. The Welsh Eisteddfod.
10. The Edinburg Festival.
11. The national musical instrument of the Scots.

12   Music and musicians.

13   Art Galleries.

14   The art of acting.

15   British Drama Theatre today. 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

CULTURE of GREAT BRITAIN

Artistic and Cultural Life in Britain

      Artistic and cultural life in Britain is rather rich. It passed several main stages in its development.

      The Saxon King Alfred encouraged the arts and culture. The chief debt owed to him by English literature is for his translations of and commentaries on Latin works. Art, culture and literature flowered during the Elizabethan age, during the reign of Elizabeth I; it was the period of English domination of the oceans.

      It was at this time that William Shakespeare lived.

      The empire, which was very powerful under Queen Victoria, saw another cultural and artistic hey-day as a result of industrialisation and the expansion of international trade.

      But German air raids caused much damage in the First World War and then during the Second World War. The madness of the wars briefly interrupted the development of culture.

      Immigrants who have arrived from all parts of the Commonwealth since 1945 have not only created a mixture of nations, but have also brought their cultures and habits with them. Monuments and traces of past greatness are everywhere. There are buildings of all styles and periods. A great number of museums and galleries display precious and interesting finds from all parts of the world and from all stage in the development of nature, man and art. London is one of the leading world centres for music, drama, opera and dance. Festivals held in towns and cities throughout the country attract much interest. Many British playwrights, composers, sculptors, painters, writers, actors, singers and dancers are known all over the world.

      Inigo Jones and Christopher Wren

      Inigo Jones was the first man to bring the Italian Renaissance style to Great Britain. He had studied in Italy for some years, and in 1615 became Surveyor-General of the works.

      The style he built in was pure Italian with as few modifications as possible. His buildings were very un-English in character, with regularly spaced columns along the front.

      His two most revolutionary designs were the Banqueting House in Whitehall and the Queen's House at Greenwich. The plan of the latter, completely symmetrical, with its strict classical details and the principal rooms on the first floor, influenced architecture in Britain. But not during the lifetime of Inigo Jones. All those who followed him had to adapt this new foreign building technique to English ways and English climate, English building materials and English craftsmen.

      Christopher Wren was the man who did it. He was a mathematician, an astronomer and, above all, an inventor. He invented new ways of using traditional English building materials, brick and ordinary roofing tiles, to keep within the limits of classical design. He, like Inigo Jones, was appointed Surveyor-General to the Crown when he was about thirty years old, and almost immediately he started rebuilding the churches of London, burnt down in the Great Fire of 1666. Wren's churches are chiefly known by their beautiful spires, which show in their structure the greatest engineering cunning.But Ch. Wren also influenced the design of houses, both in town and in the country.The best-known buildings designed by Ch. Wren are St. Paul's Cathedral in London and the Sheldonion Theatre in Oxford.

      The period of the Industrial Revolution had no natural style of its own. Businessmen wanted art for their money. The architect was to provide a facade in the Gothic style, or he was to turn the building into something like a Norman castle, or a Renaissance palace, or even an Oriental mosque. For theatres and opera houses the theatrical Baroque style was often most suitable. Churches were more often than not built in the Gothic style. The twentieth century has seen great changes in Britain's architecture.

      St. Paul’s Cathedral

      It is safe to say that the three most famous buildings in England are Westminster Abbey, the Tower of London and St. Paul's Cathedral.

      St. Paul's Cathedral is the work of the famous architect Sir Christopher Wren. It is said to be one of the finest pieces of architecture in Europe. Work on Wren's masterpiece began in 1675 after a Norman church, old St. Paul's, was destroyed in the Great Fire of 1666. For 35 years the building of St. Paul's Cathedral went on, and Wren was an old mall before it was finished.

      From far away you can see the huge dome with a golden ball and cross on the top. The interior of the Cathedral is very beautiful. It is fall of monuments. The most important, perhaps, is the one dedicated to the Duke of Wellington. After looking round you can climb 263 steps to the Whispering Gallery, which runs round the dome. It is called so, because if someone whispers close to the wall on one side, a person with his ear close to the wall on the other side can hear what is said. But if you want to reach the foot of the ball, you have to climb 637 steps.

      As for Christopher Wren, who is now known as ‘the architect of London’, he found his fame only after his death. He was buried in the Cathedral. Buried here are Nelson, Wellington and Sir Joshua Reynolds.

      Those who are interested in English architecture can study all the architectural styles of the past 500 or 600 years in Cambridge. The Chapel of King’s College is the most beautiful building in Cambridge and one of the greatest Gothic buildings in Europe. It is built in the Perpendicular style. Its foundation stone was laid in 1446, but it was completed sixty-nine years later. The interior of the Chapel is a single lofty aisle and the stonework of the walls is like lace. The Chapel has a wonderful fan-vaulting which is typical of the churches of that time. We admire the skill of the architects and crafts men who created all these wonderful buildings.

      Westminster Abbey

      Westminster Abbey is a fine Gothic building, which stands opposite the Houses of Parliament. It is the work of many hands and different ages. The oldest part of the building dates from the eighth century. It was a monastery - the West Minster. In the 11th century Edward the Confessor after years spent in France founded a great Norman Abbey. In 200 years Henry III decided to pull down the Norman Abbey and build a more beautiful one after the style then balling in France. Since then the Abbey remains the most French of all English Gothic churches, higher than any other English church (103 feet) and much narrower. The towers were built in 1735-1740. One of the greater glories of the Abbey is the Chapel of Henry VII, with its delicate fan-vaulting. The Chapel is of stone and glass, so wonderfully cut and sculptured that it seems unreal. It contains an interesting collection of swords and standards of the ‘Knights of the Bath’. The Abbey is famous for its stained glass.

      Since the far-off time of William the Conqueror Westminster Abbey has been the crowning place of the kings and queens of England. The Abbey is sometimes compared with a mausoleum, because there are tombs and memorials of almost all English monarchs, many statesmen, famous scientists, writers and musicians.

      If you go past the magnificent tombstones of kings and queens, some made of gold and precious stones, past the gold-and-silver banners of the Order of the Garter, which are hanging from the ceiling, you will come to Poets’ Corner. There many of the greatest writers are buried: Geoffrey Chaucer, Samuel Johnson, Charles Dickens, Alfred Tennyson, Thomas Hardy and Rudyard Kipling. Here too, though these writers are not buried in Westminster Abbey, are memorials to William Shakespeare and John Milton, Burns and Byron, Walter Scott, William Makepeace Thackeray and the great American poet Henry Wadsworth Longfellow.

      Here in the Abbey there is also the Tomb of the Unknown Warrior, a symbol of the nation’s grief. The inscription on the tomb reads: ‘Beneath this stone rests the body of a British Warrior unknown by name or rank brought from France to lie among the most illustrious of the land...’

      In the Royal Air Force Chapel there is a monument to those who died during the Battle of Britain, the famous  and decisive air battle over the territory of Britain in the Second World War.

      The Tower of London

      The Tower on the north bank of the Thames is one of the most ancient buildings of London. It was founded in the 11^th century by William the Conqueror. But each monarch left some kind of personal mark on it. For many centuries the Tower has been a fortress, a palace, a prison and royal treasury. It is now a museum of arms and armour and as one of the strongest fortresses in Britain, it has the Crown Jewels.

      The grey stones of the Tower could tell terrible stories of violence and injustice. Many sad and cruel events took place within the walls of the Tower. It was here that Thomas More, the great humanist, was falsely accused and executed. Among famous prisoners executed at the Tower were Henry VIII's wives Ann Boleyn and Catherine Howard.

      When Queen Elizabeth was a princess, she was sent to the Tower by Mary Tudor (‘Bloody Mary’) and kept prisoner for some time.

      The ravens whose forefathers used to find food in the Tower still live here as part of its history. There is a legend that if the ravens disappear the Tower will fall. That is why the birds are carefully guarded.

      The White Tower was built by William the Conqueror to protect and control the City of London. It is the oldest and the most important building, surrounded by other towers, which all have different names.

      The Tower is guarded by the Yeomen Warders, popularly called ‘Beefeaters’. There are two letters, E.R., on the front of their tunics. They stand for the Queen's name Elizabeth Regina. The uniform is as it used to be in Tudor times.

      Their everyday uniform is black and red, but on state occasions they wear a ceremonial dress: fine red state uniforms with the golden and black stripes and the wide lace collar, which were in fashion in the 16th century.

      Every night at 10 p.m. at the Tower of London the Ceremony of the Keys or locking up of the Tower for the nigh takes place. It goes back to the Middle Ages. Five minutes before the hour the Headwarder comes out with a bunch of keys and an old lantern. He goes to the guardhouse and cries: ‘Escort for the keys’. Then he closes the three gates and goes to the sentry, who calls: ‘Halt, who comes there?’ Headwarder replies: ‘The Keys’. ‘Whose Keys?’ demands the sentry. ‘Queen Elizabeth's Keys’, comes the answer. ‘Advance Queen Elizabeth's Keys. All's well’. The keys are finally carried to the Queen's House where they are safe for the night. After the ceremony everyone who approaches the gate must give the password or turn away.

Festivals of Music and Drama

      Post-war years have witnessed a significant increase in the number of festivals of music and drama though not enough has been done to involve the general public in these activities. Some of the festivals, however, are widely popular and it is with these that the book deals. A number of other festivals of music and drama, less well known but sufficiently important to be mentioned, are also included in the list below.

The Bath Festival

      The number of festivals held in Britain every summer goes on and on increasing but few are as well established or highly thought of, particularly in the wider European scene, as the Bath Festival.

      In June when the city is at its most beautiful the festival attracts some of the finest musicians in the world to Bath, as well as thousands of visitors from Britain and abroad.

      Under the artistic direction of Sir Michael Tippett, composer, conductor and one of the greatest minds in British music today, the festival presents a programme of orchestral and choral concerts, song and instrumental recitals and chamber music, so well suited to the beautiful 18^th - century halls of Bath. The range of music included is wide and young performers are given opportunities to work with some of the leading names in their fields.

       But the festival is not all music. The programme usually includes lectures and exhibitions, sometimes ballet, opera, drama, or films, as well as tours of Bath and the surrounding area and houses not normally open to the public, often a costume ball, maybe poetry - the variety is endless.

      Much goes on in the city at festival time and many organisations produce a bewildering complexity of events to cater for all tastes from bicycle races and beer gardens to a mammoth one day festival of folk and blues.

The Chichester Theatre Festival

      The fame achieved by the Edinburgh Festival, to say nothing of the large number of visitors that it brings every year to the Scottish capital, has encouraged many other towns in Britain to organise similar festivals. Those at Bath, Cheltenham and Aldeburgh have all become considerable artistic successes, even if they haven't brought as much business to these towns as the local shopkeepers had hoped for.

      The latest festival town to join the list is Chichester, which has earned a great deal of prestige by building, in record time, a large theatre holding over one thousand five hundred people. Here will be held each year a theatre festival in which many stars from the London stage will be eager to participate.

      The first season scored a considerable success. The repertoire consisted of an old English comedy, a sixteenth- century tragedy and a production of Chekhov's “Uncle Vanya” in which every part was taken by a top star.

      But the chief interest of the Chichester Festival is the new theatre itself, which has an apron stage. Most of you will know that the apron stage, which was common in Shakespeare's day, projects out into the auditorium. With an apron stage there is no proscenium arch, or stage sets of the kind we are used to in the modern theatre. This calls for the use of an entirely different technique on the part both of the players, who have their audience on three sides of them instead of just in front, and the producer. The players must make proper use of their voices, which, to a generation accustomed to mumbling into microphones, is not easy.

      Chichester itself is a small country town in the heart of Sussex, and the theatre stands on the edge of a beautiful park. Unlike Glyndebourne where the entire audience wears evening dress, the clothes worn by the audience at Chichester are much less formal; but as the festival is held in the summer the pretty frocks of the women make an attractive picture as they stand and gossip outside the theatre during the intervals, or snatch hasty refreshments from their cars in the park.

      The Welsh Eisteddfod

      No country in the world has a greater love of music and poetry than the people of Wales. Today, Eisteddfod is held at scores of places throughout Wales, particularly from May to early November. The habit of holding similar events dates back to early history and there are records of competitions for Welsh poets and musicians in the twelfth century. The Eisteddfod sprang from the Gorsedd, or National Assembly of Bards. It was held occasionally up to 1819, but since then has become an annual event for the encouragement of Welsh literature and music and the preservation of the Welsh language and ancient national customs.

      The Royal National Eisteddfod of Wales is held annually early in August, in North and South Wales alternately, its actual venue varying from year to year. It attracts Welsh people from all over the world. The programme includes male and mixed choirs, brass-band concerts, many children's events, drama, arts and crafts and, of course, the ceremony of the Crowning of the Bard.

      Next in importance is the great Llangollen International Music Eisteddfod, held early in July and attended by competitors from many countries, all wearing their picturesque and often colourful national costumes. It is an event probably without parallel anywhere in the world. There are at least twenty-five other major Eisteddfods from May to November.

      In addition to the Eisteddfod, about thirty major Welsh Singing Festivals are held throughout Wales from May until early November.

The Edinburgh Festival

      It is a good thing that the Edinburgh Festival hits the Scottish Capital outside term time. Not so much because the University hostels - and students’digs - are needed of provide accommodation for Festival visitors but because this most exhilarating occasion allows no time for anything mundane. It gives intelligent diversion for most of the twenty - four hours each weekday in its three weeks (it is not tactful to ask about Sundays - you explore the surrounding terrain then). The programmes always include some of the finest chamber music ensemble and soloists in the world. There are plenty of matinees; evening concerts, opera, drama and ballet performances usually take place at conventional times - but the floodlit Military Tattoo at Edinburgh Castle obviously doesn't start till after dusk, and late night entertainments and the Festival Club can take you into the early hours of the morning.

      In recent years, about 90,000 people have flocked into Edinburgh every year during the three weeks at the end of August and early September. The 90,000, of course, does not include the very large numbers of people who discover pressing reasons for visiting their Edinburgh relations about this time, nor the many thousands who come into the city on day trips from all over the country.

      They wouldn't all come, year after year, to a city bursting to capacity if they didn't find the journey eminently worth-while. They find in Edinburgh Festival the great orchestras and soloists of the world, with top-class opera thrown in; famous ballet companies, art exhibitions and leading drama; the Tattoo, whose dramatic colour inspires many a hurried claim to Scottish ancestry.

      Since the Festival started in 1947 as a gesture of the Scottish renaissance against post-war austerity, much has blossomed around it. Every hall in the city is occupied by some diversion: and you may find Shakespeare by penetrating an ancient close off the Royal Mile, or plain-song in a local church. "Fringe" events bring performing bodies from all over Britain and beyond, and student groups are always prominent among them, responsible often for interesting experiments in the drama. Then there is the International Film Festival, bringing documentaries from perhaps 30 countries; Highland Games, and all sorts of other ploys from puppet to photo shows.

      The National Musical Instrument of the Scots

      The bagpipe was known to the ancient civilisations of the Near East. It was probably introduced into Britain by the Romans. Carvings of bagpipe players on churches and a few words about them in the works of Chaucer and other writers show that it was popular all over the country in the Middle Ages. Now bagpipes can be seen and head only in the northern counties of England, in Ireland and in Scotland where it was introduced much later. Bagpipes have been used ill most European countries. It is also native to India and China.